To celebrate our birthday (and the University of Missouri’s 50th), we are sponsoring a panel discussion entitled “Literary Journal Publishing in the 21st Century: What and Why?” and a party on Friday, February 8th.
Want to publish your work? Learn how work is selected? Are you overwhelmed by all the journals out there and cannot decide which to read or subscribe to? “Literary Journal Publishing in the 21st Century: What and Why?” is your chance to learn about new and old journals, to understand how to be published, and to meet and mingle with editors and other writers.
Panelists include: Gianna Jacobson (December Press); Shanie Latham (River Styx); Pete Lucas (Prime Mincer); Michael Nye (Missouri Review); Jessica Rogen (Boulevard); Lindsay Shadwell (WomenArts Quarterly); Jen Tappenden (Architrave Press); Mary Troy (Natural Bridge); and Valerie Vogrin (Sou’wester).
The panel is free and open to the public. It is from 7-10 p.m. in the JC Penney Building at the University of Missouri – St. Louis, One University Boulevard, 63121. Snacks and a cash bar will be provided at the reception. This event is sponsored by the UMSL MFA Program, Natural Bridge, the UMSL Center for the Humanities, and Women in the Arts.
We hope you can join us in celebrating this important event for Natural Bridge and the University of Missouri – St. Louis. If you’d like more information about this event or Natural Bridge, please email Lauren Wiser, Managing Editor of Natural Bridge, at email@example.com.
Natural Bridge Issue 28 is guest edited by John Dalton and continues Natural Bridge‘s tradition of featuring the best new work from emerging and established writers, including a new three-part interview with Aimee Nezhukumatathil.
From the introduction:
It’s tricky business trying to define for readers—even discerning and avid readers—what exactly is the difference between literary and genre fiction. At best you’ll end up sounding condescending. At worst you’ll speak in generalizations that turn out to be partly or mostly wrong.
Continue reading the introduction.
By Seth Raab, Guest Blogger
When I moved to LA in 2006, I did so with the hopes of writing either teleplays or screenplays. Six years later, I landed a job as a staff writer on the NBC show “Go On.” And while six years seems like a long time, I consider myself very fortunate.
Getting a job in TV is much like getting a story or book published: it takes skill, persistence, and plenty of luck. First you have to write (and re-write…and re-re-write) some sample scripts. Then you have to send them out to agents, and if you’re lucky, someone will like your work. Then, if you’re even luckier, your agent will use your samples to find you a job on a show.
For some lucky, super-talented folks, that process doesn’t take long. For others, it can be an eternity. Writing staffs are getting smaller and smaller, and scripted TV is fighting with reality programming for timeslots, so it’s a tough fight for those precious few positions out there.
The job isn’t for every writer, either. The writer’s room is a collaborative place, and for those used to the very solitary (and autocratic) process of fiction writing, it can be a shock. You have to pitch story ideas in the room. As a group, you shape those ideas, identifying the scenes you’ll need to make them work. Once an outline has been created, a writer is sent off on his own to write the script. But that script will be re-written by the group, perhaps many times before it’s finished. It can be a hard process for one who’s used to control, and it can sometimes require a thick skin. But I’ve enjoyed it.
I hope my current show will be a hit, and I’ll have a writing home for years to come. If not, I’ll have to continue writing samples. And continue seeking new jobs. So like other writers constantly submitting stories and poems, I can never simply rest. But so far, it has been worth the hard work.
Seth was an assistant editor for Natural Bridge, and earned his MFA in fiction writing from the University of Missouri – St. Louis in 2006.