Now in its 45th year of existence at UMSL, Gallery 210’s promotion of local artists and innovative programming have been vital for the campus – and the region.
Now in its 45th year of existence at UMSL, Gallery 210’s promotion of local artists and innovative programming have been vital for the campus – and the region.
Now in its 45th year of existence at UMSL, Gallery 210’s promotion of local artists and innovative programming have been vital for the campus – and the region.
Now in its 45th year of existence at UMSL, Gallery 210’s promotion of local artists and innovative programming have been vital for the campus – and the region.
Scholar Michelle Miller delivered the keynote address during the 24th annual conference, which drew more than 500 attendees last week.
It will feature lectures, concerts, exhibits and more Nov. 6 to 8 at UMSL’s J.C. Penney Building/Conference Center and at UMSL at Grand Center.
It will feature lectures, concerts, exhibits and more Nov. 6 to 8 at UMSL’s J.C. Penney Building/Conference Center and at UMSL at Grand Center.
It will feature lectures, concerts, exhibits and more Nov. 6 to 8 at UMSL’s J.C. Penney Building/Conference Center and at UMSL at Grand Center.
Jane Birdsall-Lander’s repurposed wooden wall sculptures have the appearance of primitive objects. Jerry Monteith’s tiny and bizarre bug-like attractors are inspired by fly-fishing lures. Melody Evans’ flowing ceramic pieces are built upon a personal visual language, including the interaction between the human body and the environment.
Jane Birdsall-Lander’s repurposed wooden wall sculptures have the appearance of primitive objects. Jerry Monteith’s tiny and bizarre bug-like attractors are inspired by fly-fishing lures. Melody Evans’ flowing ceramic pieces are built upon a personal visual language, including the interaction between the human body and the environment.
Jane Birdsall-Lander’s repurposed wooden wall sculptures have the appearance of primitive objects. Jerry Monteith’s tiny and bizarre bug-like attractors are inspired by fly-fishing lures. Melody Evans’ flowing ceramic pieces are built upon a personal visual language, including the interaction between the human body and the environment.