When Sean O’Casey’s play “The Plough and the Stars” debuted in Dublin in 1926, many women involved in the struggle for Irish independence refused to sit quietly through the performance. They loudly and violently protested the play in the theater.
When Sean O’Casey’s play “The Plough and the Stars” debuted in Dublin in 1926, many women involved in the struggle for Irish independence refused to sit quietly through the performance. They loudly and violently protested the play in the theater.
When Sean O’Casey’s play “The Plough and the Stars” debuted in Dublin in 1926, many women involved in the struggle for Irish independence refused to sit quietly through the performance. They loudly and violently protested the play in the theater.
When Sean O’Casey’s play “The Plough and the Stars” debuted in Dublin in 1926, many women involved in the struggle for Irish independence refused to sit quietly through the performance. They loudly and violently protested the play in the theater.
The Hellenic Spirit Foundation pushed for the creation of the mural by St. Louis artist Rip Kastaris ahead of the 2004 Olympic Games, and it still hangs in the Olympic stadium in Athens.