Now in its 45th year of existence at UMSL, Gallery 210’s promotion of local artists and innovative programming have been vital for the campus – and the region.
Now in its 45th year of existence at UMSL, Gallery 210’s promotion of local artists and innovative programming have been vital for the campus – and the region.
Now in its 45th year of existence at UMSL, Gallery 210’s promotion of local artists and innovative programming have been vital for the campus – and the region.
Now in its 45th year of existence at UMSL, Gallery 210’s promotion of local artists and innovative programming have been vital for the campus – and the region.
Scholar Michelle Miller delivered the keynote address during the 24th annual conference, which drew more than 500 attendees last week.
Jane Birdsall-Lander’s repurposed wooden wall sculptures have the appearance of primitive objects. Jerry Monteith’s tiny and bizarre bug-like attractors are inspired by fly-fishing lures. Melody Evans’ flowing ceramic pieces are built upon a personal visual language, including the interaction between the human body and the environment.
Jane Birdsall-Lander’s repurposed wooden wall sculptures have the appearance of primitive objects. Jerry Monteith’s tiny and bizarre bug-like attractors are inspired by fly-fishing lures. Melody Evans’ flowing ceramic pieces are built upon a personal visual language, including the interaction between the human body and the environment.
Jane Birdsall-Lander’s repurposed wooden wall sculptures have the appearance of primitive objects. Jerry Monteith’s tiny and bizarre bug-like attractors are inspired by fly-fishing lures. Melody Evans’ flowing ceramic pieces are built upon a personal visual language, including the interaction between the human body and the environment.