Now in its 45th year of existence at UMSL, Gallery 210’s promotion of local artists and innovative programming have been vital for the campus – and the region.

Now in its 45th year of existence at UMSL, Gallery 210’s promotion of local artists and innovative programming have been vital for the campus – and the region.
Now in its 45th year of existence at UMSL, Gallery 210’s promotion of local artists and innovative programming have been vital for the campus – and the region.
Now in its 45th year of existence at UMSL, Gallery 210’s promotion of local artists and innovative programming have been vital for the campus – and the region.
Social media manager Valerie Furlong captured video from the two-day event created to immerse area high school students in the joy of singing a cappella music.
Jane Birdsall-Lander’s repurposed wooden wall sculptures have the appearance of primitive objects. Jerry Monteith’s tiny and bizarre bug-like attractors are inspired by fly-fishing lures. Melody Evans’ flowing ceramic pieces are built upon a personal visual language, including the interaction between the human body and the environment.
Jane Birdsall-Lander’s repurposed wooden wall sculptures have the appearance of primitive objects. Jerry Monteith’s tiny and bizarre bug-like attractors are inspired by fly-fishing lures. Melody Evans’ flowing ceramic pieces are built upon a personal visual language, including the interaction between the human body and the environment.
Jane Birdsall-Lander’s repurposed wooden wall sculptures have the appearance of primitive objects. Jerry Monteith’s tiny and bizarre bug-like attractors are inspired by fly-fishing lures. Melody Evans’ flowing ceramic pieces are built upon a personal visual language, including the interaction between the human body and the environment.