Now in its 45th year of existence at UMSL, Gallery 210’s promotion of local artists and innovative programming have been vital for the campus – and the region.
LATEST IN Jerry Monteith
‘Exposure: 10 Years’ to showcase local artists, celebrate Gallery 210’s history
Now in its 45th year of existence at UMSL, Gallery 210’s promotion of local artists and innovative programming have been vital for the campus – and the region.
‘Exposure: 10 Years’ to showcase local artists, celebrate Gallery 210’s history
Now in its 45th year of existence at UMSL, Gallery 210’s promotion of local artists and innovative programming have been vital for the campus – and the region.
Eye on UMSL: An international welcome
UMSL Global team members kicked off Global Triton Welcome, a weeklong orientation to help new international students get acclimated ahead of the spring semester.
Popular St. Louis artists exhibit to return to Gallery 210
Jane Birdsall-Lander’s repurposed wooden wall sculptures have the appearance of primitive objects. Jerry Monteith’s tiny and bizarre bug-like attractors are inspired by fly-fishing lures. Melody Evans’ flowing ceramic pieces are built upon a personal visual language, including the interaction between the human body and the environment.
Popular St. Louis artists exhibit to return to Gallery 210
Jane Birdsall-Lander’s repurposed wooden wall sculptures have the appearance of primitive objects. Jerry Monteith’s tiny and bizarre bug-like attractors are inspired by fly-fishing lures. Melody Evans’ flowing ceramic pieces are built upon a personal visual language, including the interaction between the human body and the environment.
Popular St. Louis artists exhibit to return to Gallery 210
Jane Birdsall-Lander’s repurposed wooden wall sculptures have the appearance of primitive objects. Jerry Monteith’s tiny and bizarre bug-like attractors are inspired by fly-fishing lures. Melody Evans’ flowing ceramic pieces are built upon a personal visual language, including the interaction between the human body and the environment.
MORE IN Jerry Monteith
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